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Lesson: Art in Engineering - Moving Art Contributed by: Integrated Teaching and Learning Program, College of Engineering, University of Colorado at Boulder
Learning Objectives (Return to Contents) After this lesson, students should be able to:
Introduction/Motivation (Return to Contents)
Have you ever wondered how ink pens work, why mobiles move, or why we do not float off into space? This is because of forces exerted by gravity and the wind. What happens when these forces do not exist? Well, in space, astronauts write with special pens because the gravity forces that normally push the ink out of your pen (on Earth) do not exist in space. Sculptures, such as mobiles and wind chimes, would not move or make sounds without wind forces. One of the jobs of an engineer is to learn how to use forces to design and create things, such as making special pens for use in space. Knowing what forces affect an object is a primary concern for an engineer. A force is any push or pull on an object. One force that we all know is gravity, which pushes us towards the center of the Earth. Other natural forces also cause a push or pull, such as wind and water. People can also create forces by pushing or pulling on something, like a wagon. Engineers always take the forces of gravity and wind into account when they design and construct buildings, airplanes or bridges, such as the Golden Gate Bridge in San Francisco (see Figure 1). Artists also consider these forces when they design decorative or dramatic buildings, landscapes or artwork. Some artists pay close attention to forces when they create moving sculptures, such as mobiles, or design pop-up-books. Engineers and artists are a lot alike when they study the effects of forces on something they are designing. Often engineers and artists work together to design and build some of the greatest structures on Earth! Lesson Background & Concepts for Teachers (Return to Contents)
A force is a push or a pull on an object. Gravity is one of the most common forces we encounter every day. It is always pushing us towards the center of the Earth. In outer space, we are very far away from the center of the Earth and therefore the gravitational forces are much smaller. This is why astronauts appear to be floating. Some sculptures look as if they would topple over at any minute. Are they actually defying gravity? Well, no. The sculpture is balanced on its center of mass (see Figure 2). The center of mass of an object is the point at which all of an object's mass may be considered to be concentrated. This means that the object can balance on a point as long as that point is directly below the object's center of mass. The artists of these sculptures carefully design their work so that the center of mass of the object is supported. We carefully align our own center of mass when walking on tightrope or a balance beam by pulling our hands out to our sides.
The wind also creates forces. On blustery days you can see the wind move the leaves on a tree. Wind forces also push sailboats through water. Similar forces cause movement in outdoor sculptures (see Figure 3), such as wind chimes or mobiles. Wind currents are created by hot air rising and cool air settling. Hot air rises because it is less dense than cool air. This same principal works both outside and inside buildings, although the outside currents tend to be a lot stronger. These convection currents are what cause wind chimes to sing and mobiles to rotate. Not all forces occur naturally. For example, people can create forces using energy from the food they eat. This happens when we push someone on a swing, move a chair across a room or play tug of war. When we read pop-up books we apply very small forces to tabs and flaps to make them move. When we rotate a flap, it is called a centrifugal force. A centrifugal force is also created when an ice-skater turns or we spin in a chair. Vocabulary/Definitions (Return to Contents)
Associated Activities (Return to Contents)
Lesson Closure (Return to Contents) Forces are all around us. Every time we push or pull something, we are applying a force. What are some common forces? (Possible answers: Gravity, wind, friction.) Engineers consider forces when they design almost everything, including buildings, airplanes, bridges and dams. Can you think of which forces are affecting these things? (Possible answers: roof, people moving, air pressure, wind, traffic, snow, water, etc.) Artists also think about the same forces as engineers when designing sculptures, mobiles and even pop up books! Today we learned about how both artists and engineers need to know about forces when they design and create. Attachments (Return to Contents)
Assessment (Return to Contents) Pre-Lesson Assessment Discussion Questions: Ask the students and discuss as a class:
Post-Introduction Assessment Voting: Ask true/false questions and have students vote by holding thumbs up for true and thumbs down for false. Tally the votes and write the number on the board. Give the right answer.
Lesson Summary Assessment Word Puzzle: Have the students complete the attached Sculpture Vocabulary Crossword Puzzle to reinforce the vocabulary terms. Remind students that engineers need to know the vocabulary associated with a project to explain their design to their audience. Use the easier worksheet version (it provides a list of words) for younger or ESL students. Homework May the Force Be with You: Have students identify all the different forces they see on the way home from school. They should each be able to come up with 10 examples (such as wind-blowing trash, motor pushing a bus forward, kids kicking a ball, etc.). Select one of the forces and come up with a way an artist may use that force (such as putting a motor on a sculpture to make it move, creating a mobile that catches the wind to cause movement, etc.). Have a class discussion about the homework during the next class period. Lesson Extension Activities (Return to Contents) Have the students identify other art forms that are concerned with forces and research the impact of these forces on the discipline, such as ballet (spins and lifts) or theater (rotating stages, levitating actors/actresses and lowering curtains). References (Return to Contents) Alexander Calder. Calder Foundation. Accessed February 8, 2005. http://www.calder.org Alexander Calder, Biography. The Collection, National Gallery of Art, Washington, DC. Accessed February 8, 2005. http://www.nga.gov/cgi-bin/pbio?55300 Contributors Natalie Mach, Malinda Schaefer Zarske, Denise CarlsonCopyright © 2005 by Regents of the University of Colorado.The contents of this digital library curriculum were developed under a grant from the Fund for the Improvement of Postsecondary Education (FIPSE), U.S. Department of Education and National Science Foundation GK-12 grant no. 0226322. However, these contents do not necessarily represent the policies of the Department of Education or National Science Foundation, and you should not assume endorsement by the federal government. Supporting Program (Return to Contents) Integrated Teaching and Learning Program, College of Engineering, University of Colorado at BoulderLast Modified: September 26, 2008 | ||||||||||||||||||||||||||||||||||||||||||||
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